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Wikimedia Commons. Lightbody at Rock im Park Gareth John Lightbody [1]. The Eligibles [50] [51] [52]. It was founded by artists Michael Hanna and Jacqueline Holt in Free event, book here. This touring programme was created in consultation with curator Alissa Kleist. The screenings will be followed by a conversation with artist Myrid Carten about her current project, reflecting on production structures both north and south of the border.
Carten will be in discussion with Alice Butler and AMINI about how artists collaborate with producers and how this relationship can develop and inform the work. This afternoon programme will be followed in the evening by the Jarman Award Screenings : a showcase of works from artists at the forefront of experimentation in filmmaking today. We will be joined in conversation by Jarman nominee Hardeep Pandh.
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Since the award has been selected each year from moving image work presented at the Belfast School of Art Degree Show. Dara Flanagan MFA, He questions how the systems that people use to navigate the world are limited and biased, and how they relate to lived experience.
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Click here to book. Consoling Ghosts asks how we can act in solidarity with the discarded, the martyred and the forgotten — and invite them to advise us on our course of action and resistance. Spectrograms appear where targets usually hang.
They move back and forth in a way corresponding to the transcribed testimony of the witness, who testifies in front of a court that is not a court, about a crime that never was publicly acknowledged as a crime. The subtitles are a transcript drawn from a case focusing on an incident in May , in which two unarmed teenagers, Nadeem Nawara and Mohamad Abu Daher, were shot and killed by Israeli soldiers in the occupied West Bank Palestine.
The case never came before a civil court. Instead, it was made public by the human rights organization Defence for Children International. Archaeologically, the film argues that behind this present situation is a sedimented history of slavery preserved by the Black Code laws of the colonies in the Americas. These codes have transformed into the algorithms that configure police Big Data and the necropolitical control of African Americans today. Yet how can we read in this present? How can we unwrite the sorcery of this code as a hack?
A year in the making, the Artist Taxi Driver documents the effects of Austerity on the British Public, with interviews at protests, demos, in his cab and on the road; he exposes the scam that is Austerity. Dr Sarah Tuck is an arts and cultural practitioner. In the fissures opened by these catastrophes, The Radiant travels through time and space, invoking the historical promise of nuclear energy and summoning the future threat of radiation that converge upon the benighted present.
Under these conditions, the illuminated cities and evacuated villages of Japan can be understood as a laboratory for the global nuclear regime that exposes its citizens to the necropolitics of radiation. House Taken Over is an exhibition that has been organised as part of the Sonorities Festival. This exhibition is made in response to a recent discovery about the house, and its function as a secret intelligence centre for Northern Ireland during WW2.
As part of the the expanded programme of events, and in response to the layered history of the house, AMINI has been asked to present an artist work. For the full House Taken Over programme, click here. Image: A Numbness in the Mouth Kevin Gaffney If a future exists, does it still offer a better world than the present one? How are we to imagine the future, if what has been promised in the past has already failed and dissolved into a present full of conflicts, ecological problems, injustice and inequality?
This selection of films intends to present how artists respond to these questions through the medium of film. Each film presents a different perspective, hinting at possibilities that do not override, refute, nor necessarily affirm those presented in the others.